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Published: April 26, 2020, 2:26 p.m.

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The 14th Letters Read event and first produced entirely as a podcast.

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The usual, live reading was scheduled for March 26, 2020 at Frenchman Art & Books on Frenchmen Street in New Orleans. It was preempted by the beginning of the COVID-19 outbreak. Listen to Dylan Hunter as the voice of our subject. Rebecca Hollingsworth is Anne. Both self-recorded in the safety of their own home. Our emcee is Frank Perez, President of LGBT+ Archives Project of Louisiana. Frank was recorded through a telephone conversation with Dylan. Dylan is also our audio engineer for this event. Music is written and performed by Rob Hudak.

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This event provides a rare glimpse into the personal life of an important Louisiana political activist. It begins with the 1967 correspondence from Anne, an intimate friend. The reading weaves in annual Valentine\\u2019s letters beginning in 1999 that, as recently as this year, were still mailed to 200 of his dearest friends.

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Since the 1970s, Butler was a significant force in the Louisiana civil rights movement. In 1984, 1986 and 1991 he strategically advocated for changing gay-rights ordinances. Butler was a co-founder of LGPAC (the Louisiana chapter of Lesbian and Gay Political Action Caucus) and has served on boards including the Lesbian and Gay Community Center, PFLAG, and LGBT+ Archives Project of Louisiana.

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Thanks to Antenna, our fiscal agent. To David Zalkind, owner, Frenchman Art & Book, and to Dancing Grounds from whom we were borrowing chairs. The live audio engineer was to be Steve Chyzyk, Sonic Canvas Studio. Thanks also go to Bill Hagler, John Magill, Robert Feiseler, and Courtney Sharp for providing background and context. Thank you Letters Read narrative and storytelling advisors Ted Cotton and Cassie Pruyn.

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Support for the 2020 programming season is provided by the LGBT+ Archives Project of Louisiana, Corner Foundation, Reba Judith Sandler Foundation, and from private individuals to whom this project is enormously grateful.

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The Letters Read 2020 Season is also funded under a grant from the Louisiana Endowment for the Humanities, the state affiliate of the National Endowment for the Humanities. Any views, findings, conclusions or recommendations expressed in this event do not necessarily represent those of the National Endowment for the Humanities.

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