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Published: March 25, 2021, 11 p.m.

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This reading is of personal letters from Edgar Degas surrounding his 4-month stay in Reconstruction-era New Orleans.

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Christopher Kamenstein reads as Degas; audio production is by Steve Chyzyk and Sonic Canvas studio. The event is emceed by stationer and Letters Read director Nancy Sharon Collins.

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Join us here for an intimate listen to thoughts and emotions experienced by Edgar Degas as he visits his mother\\u2019s family in the Crescent City as it strives to heal post-antebellum wounds after the American Civil War. Business, money, family, property ownership, class, race, and privilege, all play important roles in this compelling story.

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In late 1872, Degas accompanied his brother Ren\\xe9 to New Orleans where he observed his paternal family\\u2019s business managing the post-Civil War cotton trade. The painting used to illustrate this online event is the oft cited depiction of his time while visiting. It captures a moment during the decline of his uncle Michel Musson\\u2019s business, the Cotton Office. Which went bankrupt shortly thereafter. A situation exacerbated by his brother Ren\\xe9\\u2019s desertion of his wife, children, and failure to make good on a large debt.

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Upon his return to France early in 1873, Edgar learned that Ren\\xe9 had also bankrupted their own father\\u2019s banking business.

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It was about this time and occasioned by the family\\u2019s multiple financial misfortunes that Degas turned his trade as a serious painter into a successful livelihood.

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This podcast is hosted by Pitot House and co-promoted by Alliance Fran\\xe7aise de La Nouvelle-Orl\\xe9ans. Letters Read fiscal sponsor is Antenna.

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Special thanks go to Christopher Benfey and Marilyn R. Brown in particular. Additional thanks to the Wildenstein Plattner Institute for providing their recently published The Letters of Edgar Degas edited by Theodore Reff. For more information, go to RESOURCES in the Letters Read website. To donate, go HERE.

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IMAGE: A Cotton Office in New Orleans by Edgar Degas, painted in New Orleans, Louisiana, 1873. The painting is in the collection of Musee des Beaux-Arts de Pau, Pau, France.

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