Gregor Hildebrandt
b"Gregor Hildebrandt\\u2019s signature media are cassette tape and vinyl, which he collages and assembles into apparently minimalist yet latently romantic paintings, sculptures, and installations. Resting in silence behind the glossy surface of his analog aesthetics, which verges on black and white monochrome, music and cinema haunt his practice. Whether pictorial or sculptural, all of his works contain prerecorded materials, which he references in the titles.\\nThese pop-cultural sources, usually a single song, are meant to trigger both collective and personal memories. Like analog storage media, his distinctive rip-off technique is a metaphor for the mnestic process itself: it consists in rubbing magnetic coating against double-sided adhesive tape stuck on canvas to trace intricate and elusive powdery patterns. Further relating to architectural Gesamtkunstwerk, Hildebrandt\\u2019s monumental sonic barriers made of stacked, bowl-shaped records and his sensual wall curtains made of unreeled tapes create paths for the visitors of his shows.\\n\\n\\nInstallation View of Gregor Hildebrandt's Was Geht Uns Die Sonne An (What Does the Sun Matter to Us) at Perrotin New York, 2022. Photographer: Guillaume Ziccarelli Courtesy of the artist and Perrotin\\n\\nMary Nolan Kasten, 2022, Ink jet print, plastic cases, inlays in woodencase, 159.5 x 111.5 x 9 cm. Photographer: Guillaume Ziccarelli Courtesy of the artist and Perrotin\\n\\nCut records, wood, canvas \\xd8 : 92 cm. Photographer: Guillaume Ziccarelli Courtesy of the artist and Perrotin"