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Let\'s look at some hyper contemporary verse to see how line endings are used in some Broadway and Off-Broadway plays. We\'re delving into Lucas Hnath\'s A Doll House, Pt. 2 and Jeremy O. Harris\' Slave Play to see how enjambment and end stopped lines work when we\'re not in iambic pentameter.
\\n(Note: Fear not! Although Slave Play contains difficult material, there is no content warning for this episode as the portion quoted is a neutral and not charged speech. Phew!)
\\nPatreon: http://www.patreon.com/hamlettohamilton
\\nWebsite: http://www.hamlettohamilton.com
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