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b'We\\u2019ve asked members of the Getty community to share short reflections on works of art they\\u2019re thinking about right now. These recordings feature stories related to our daily lives.\\n\\n\\n\\nThis week, Aleia McDaniel discusses her long-held love for cursive and how it relates to an illuminated manuscript from 1180. To learn more about this artwork, visit: https://www.getty.edu/art/collection/objects/103710/.\\n\\n\\n\\nOver the next few weeks, look for new recordings every other Tuesday.\\n\\n\\n\\n\\n\\nTranscript\\n\\n\\n\\nJAMES CUNO: Hi, I\\u2019m Jim Cuno, president of the J. Paul Getty Trust. In a new podcast feature, we\\u2019re asking members of the Getty community to share short reflections on works of art they\\u2019re thinking about right now. We\\u2019ll be releasing new recordings every other Tuesday. I hope you\\u2019ll find these stories about our daily lives\\u2014from laundry on the line to a dog at a scholar\\u2019s feet\\u2014thought provoking, illuminating, and entertaining.\\n\\n\\n\\nALEIA MCDANIEL: My name is Aleia McDaniel and I am a curatorial assistant in the department of manuscripts at the Getty Museum.\\n\\n\\n\\nGrowing up I was drawn to cursive. Both of my parents wrote in cursive regularly, my mother exclusively, and my father on important documents, though he preferred printing in all caps most of the time. My grandfather, a retired professor, also used cursive for his everyday writing. I like to think I take after him; he was also a practitioner of the arts.\\n\\n\\n\\nWhen most students dropped cursive in junior high, I held on to it. During the stay-at-home order, I was able to clean out a few old and cluttered files, and I found coursework dating back to my early high school career. I was shocked to see the huge change in my handwriting from my high school days. I began to use computers for taking all of my notes during undergrad, and it\\u2019s sad to say that my handwriting has almost, degraded in a way. That\\u2019s not to say that it\\u2019s illegible, but rather it has developed kind of a personality; it\\u2019s no longer purely cursive, but it\\u2019s also not quite print.\\nWorking from home now has granted me the time not only to focus on developing my own handwriting again, but also the ability to browse the many different calligraphic styles in the Getty\\u2019s manuscript collection. When I came across this page from a manuscript written in Germany in 1180, I saw my own hybrid cursive style reflected back at me.\\n\\n\\n\\nThe Initial P is ornate, the red, golds, and blue of the decorated letter reminded me of how I felt when I first learned cursive, overwhelmed. There were so many loops, turns, and decorations that my mind couldn\\u2019t comprehend how someone would be able to understand where the word began, or which was the final letter. But as a child, the more I looked at and learned the script, the more I could understand how the detail attached to the calligraphy was not daunting, but rather smooth, inviting.\\n\\n\\n\\nThe flourishes on the other letters on this page give a fluid-like character to the text. The script is a strong and seamless black, but the flow is interrupted by the brightness of the blue and red letters. These bright colors remind me to explore my surroundings.\\n\\n\\n\\nI\\u2019ve been finding inspiration in nature too recently, and the blues on this page remind me of the freedom of the blue sky when I go for a hike. My imagination can go into overdrive while hiking, imaging the creatures that are hidden from our sight, quite like the dragon at the base of the decorated letter P.\\n\\n\\n\\nI am taking this re-imagined freedom and using it to develop my script even further. Even though the emotional response I have to cursive is not universal, it\\u2019s comforting to know that there is a sense of normalcy in the old, and that we can take its style and apply it to our everyday lives. I will continue to use various illuminated manuscripts to help further my understanding of calligraphy, and who knows, maybe my own handwriting might one day gain its own dragon guardian.\\n\\n\\n\\nCUNO: To view this illuminated initial P, made in Germany around 1'