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Hey there Word Nerds!

I am so glad you\'ve joined me because today\\u2019s episode is going to be epic.

In this interview, I speak\\xa0with Andrew Piper, Associate Professor and William Dawson Scholar in the Department of Languages, Literatures, and Cultures at McGill University. Andrew\\xa0is the director of .txtLAB (a digital humanities lab at McGill) and is the leader of the multinational research consortium, \\u201cNovelITM: Text Mining the novel.\\u201d Basically he uses\\xa0quantitative data to gain a more in-depth understanding of thematic and stylistic elements within the novel as an art-form.

Andrew and his colleague Richard So wrote an article earlier this year in The Atlantic\\xa0that got a lot of people riled up. They shared research on novels written by authors either with or\\xa0without an MFA and found that there wasn\'t any significant difference between writers in both categories. This article added depth to that perennial MFA\\xa0debate.

Should you (or shouldn\'t you) get an MFA? As you know, this is a subject near and dear to my heart. And now it turns out that there\'s actual data\\xa0suggesting\\xa0that an\\xa0MFA degree isn\'t a very good predictor of\\xa0whether someone will become a\\xa0published author, or even write a great\\xa0book.

It seems especially fitting for this episode to air this week, just a few short days before the official NYC launch event for\\xa0my own book.

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In this episode Andrew and I discuss:

• How a computer might (or might not) be able to differentiate between novels of various qualities, versus various genres.
• The extent to which racial and gender diversity in writing shows up in the literature produced by MFA programs (the Whiteness factor)
• The role of data analysis in uncovering bias in the publishing industry.
• Embracing data and computation in the process of growing as a creative.

Plus, Andrew\\u2019s #1 tip for writers.

Andrew Piper is Associate Professor and William Dawson Scholar in the Department of Languages, Literatures, and Cultures at McGill University. He is the director of .txtLAB @ McGill, a digital humanities laboratory, as well as leader of the multinational research consortium, \\u201cNovelTM: Text Mining the Novel,\\u201d which brings together 21 partners across North America and Europe to undertake the first large-scale quantitative and cross-cultural study of the novel. He is the author most recently of Book Was There: Reading in Electronic Times (Chicago 2012) as well as Dreaming in Books: The Making of the Bibliographic Imagination in the Romantic Age (Chicago 2009), which was awarded the MLA Prize for a First Book and honourable mention for the Harry Levin Prize for the American Comparative Literature Association.

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For more info and show notes: DIYMFA.com/107