Intellectual Property
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When the great novelist Charles Dickens arrived in America in 1842, he was hoping to put an end to pirated copies of his work in the US. They circulated there with impunity because the United States granted no copyright protection to non-citizens. Patents and copyright grant a monopoly, and monopolies are bad news. Dickens\\u2019s British publishers will have charged as much as they could get away with for copies of Bleak House; cash-strapped literature lovers simply had to go without. But these potential fat profits encourage new ideas. It took Dickens a long time to write Bleak House. If other British publishers could have ripped it off like the Americans, perhaps he wouldn\\u2019t have bothered. As Tim Harford explains, intellectual property reflects an economic trade-off \\u2013 a balancing act. If it\\u2019s too generous to the creators then good ideas will take too long to copy, adapt and spread. But if it\\u2019s too stingy then maybe we won\\u2019t see the good ideas at all.
Producer: Ben Crighton\\nEditors: Richard Knight and Richard Vadon
(Image: Copyright stamp, Credit: Arcady/Shutterstock)
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