Episode 35: Whirl Without End: On M.C. Richards' 'Centering'
The first step in any pottery project is to center the clay on the potter's wheel. In her landmark essay Centering: In Pottery, Poetry and the Person (1964), the American poet M. C. Richards turns this simple action into a metaphor for all creative acts, including the act of living your life. The result is a penetrating and poetic reflection on the artistic process that values change, unknowing, and radical becoming, making Richards' text a guide to creativity that leaves other examples of that evergreen genre in the dust. Phil and JF get their hands dirty trying to understand what centering is, and what it entails for a life of creation and becoming. The discussion brings in a number of other thinkers and artists including Friedrich Nietzsche, Norman O. Brown, Carl Jung, Antonin Artaud, and Flannery O'Connor.
\n\nHeader image: NASA
\n\nREFERENCES
\n\nM. C. Richards, Centering: In Pottery, Poetry, and the Person
\nJ. S. Bach, The Well-Tempered Clavier
\nAmerican pianist David Tudor
\nC. G. Jung, Memories, Dreams, Reflections
\nWeird Studies, Episode 33: "The Fine Art of Changing the Subject"
\nGilles Deleuze, Nietzsche and Philosophy
\nAntonin Artaud, The Theater and its Double (translated by M. C. Richards)
\nRudolf Steiner, Alchemy: The Evolution of the Mysteries
\nNorman O. Brown, author of Life Against Death: The Psychoanalytic Meaning of History
\nG. K. Chesterton, Orthodoxy
\nFlannery O'Connor, "Novelist and Believer"