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This week: Just Stop Oil\\u2019s Stonehenge protest. On Wednesday, two activists sprayed orange powder paint made from cornflour on to three of the boulders at Stonehenge, prompting outrage and some support. Before this latest action, in an article for the July/August print edition of The Art Newspaper, John Paul Stonard had argued that Just Stop Oil\\u2019s museum-based protests add up to \\u201cone of the most successful campaigns of civil disobedience in history\\u201d. He reflects on whether the latest protests reinforce this conviction. At the Hayward Gallery in London, the Bahamian-born, US-based artist Tavares Strachan has just opened his first major survey exhibition. We go to the gallery to talk to him. And this episode\\u2019s Work of the Week is Janus Fleuri by Louise Bourgeois, made in 1968. It is one of the highlights of Unconscious Memories, a show in which Bourgeois\\u2019s sculptures and installations are installed alongside the historic works in the Galleria Borghese in Rome. We speak to Clo\\xe9 Perrone, the co-curator of the exhibition.

Tavares Strachan: There Is Light Somewhere, Hayward Gallery, London, until 1 September.

Louise Bourgeois: Unconscious memories, Galleria Borghese, Rome, 21 June-15 September.

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