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Matt Yoka, director, producer and editor of Whirlybird discusses why he made a film centered on high-speed chases and the family behind this medium of reporting and filmmaking, and how he mastered zen and the art of movie marketing during lockdown.\xa0\n\nIn this episode, we talk about\u2026\n\nHow Los Angeles Plays Itself sparked the creation of Whirlybird\xa0\n\n\nFocusing on high-speed pursuits and providing an emotional character-focused experience vs. intellectual experience\xa0\xa0\n\n45 minutes of beautiful VHS glitches\xa0\n\nMatt\u2019s experience at the Sundance Film Festival and Covid\u2019s impact on marketing the film\n\nHow excessive film-watching during quarantine inspired Matt as a filmmaker\n\nWhy it\u2019s almost impossible to end a documentary\xa0\xa0\xa0\xa0\xa0\n\nAdvice to approach filmmaking focused on the story you want to share with a \u201cless is more\u201d mindset\xa0\n\n\nLinks to Resources:\nTurn Cheap Miniatures Into Awesome Visual Effects\nhttps://www.youtube.com/watch?v=VMuf2bHdGrY\n\nSubscribe to our newsletter for news, contests, deals, and a FREE ebook at https://nofilmschool.com/screenwritingbook.\xa0\n\nCheck out our new video on lighting night shoots: https://www.youtube.com/watch?v=J66WWsCp7XE\n\xa0\nYou can read about all this and more at https://nofilmschool.com/. You can also check out our Gear Guides and Entertainment News on the right hand side.\n\nPlease like us on Facebook, follow us on Twitter, and check us out on Instagram!\n\nAsk us questions at editor@nofilmschool.com!\nLearn more about your ad choices. Visit megaphone.fm/adchoices