Creating Subtext in The Power of The Dog
The Power of the Dog Editor Peter Sciberras breaks down the process of choosing the right cut, respecting the audience, and creating the slow burn of Bronco Henry\u2026\xa0\xa0\n\nIn this episode, we talk about\u2026\n\nHow cutting music videos led to Peter\u2019s editing career\n\nPeter\u2019s approach to getting hired for The Power of the Dog\xa0\n\nLetting the audience figure things out vs. what you need to tell them\xa0\n\nPiecing together an interactive story with specific clues\xa0\xa0\n\nThe funnest part of an editor\u2019s job and focusing on believability\xa0\n\nOngoing conversations to determine which scene should go where and why\xa0\n\nFinding an artificial way to make details feel organic\xa0\n\nFinal phase of fine tuning and calibration and knowing when a film is done with edits\xa0\n\n\nLinks to Resources:\xa0\nhttps://www.nofilmschool.com/money-survey\nFind No Film School everywhere:\nOn the Web\nhttps://nofilmschool.com/\n\xa0\nFacebook\xa0\nhttps://www.facebook.com/nofilmschool\n\xa0\nTwitter\xa0\nhttps://twitter.com/nofilmschool\n\xa0\nYouTube\xa0\nhttps://www.youtube.com/user/nofilmschool\xa0\nInstagram\nhttps://www.instagram.com/nofilmschool\n\xa0\nGet your questions answered on the podcast by emailing editor@nofilmschool.com!\xa0\nLearn more about your ad choices. Visit megaphone.fm/adchoices