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In the 1950s and 60s, Coenties Slip\u2014an obscure\xa0street on the lower tip of Manhattan overlooking the East River\u2014was home to\xa0some of the most iconic artists in history, and who\xa0would define American Art during their time there: Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, these artists created a unique community for unbridled creative expression and experimentation.\n\nPrudence Peiffer is the kind of art historian who understands the importance of context and place, and her book, \u201cThe Slip: The New York City Street that Changed American Art Forever\u201d provides the kind of rich context and human detail that textbooks could only dream of. She joined me to discuss the history of these artists, why we have such a hard time seeing artists as people, the friction between accessible artists and their inaccessible art, why watching Robert Indiana eat a mushroom for 39 minutes is actually totally beautiful, and what it means to authentically nudge art history towards inclusion.\n\nPrudence Peiffer\xa0is an art historian, writer, and editor, specializing in modern\xa0and contemporary art. She is Director of Content at MoMA, New York. She was a Senior Editor\xa0at\xa0Artforum\xa0magazine from 2012-2017, and Digital Content Director at David Zwirner in 2018. Her writing has appeared in the\xa0New York Times, New York Review of Books, Artforum, and\xa0Bookforum, among other publications.\xa0 Her book,\xa0\u201cThe Slip: The New York City Street that Changed American Art Forever\u201d has been longlisted for the National Book Award.\n\nSee the images:\nhttps://bit.ly/3rOM7vE\n\nMusic used:\nThe Blue Dot Session, \u201cSkyforager\u201d\nRufus Wainwright, \u201c11:11\u201d\n\nSupport the show:\nwww.patreon.com/lonelypalette