Kirsten Buick on Edmonia Lewis

Published: Dec. 13, 2023, 6:54 a.m.

I am so excited to say that my guest on the GWA Podcast is the renowned art historian, Kirsten Pai Buick to discuss EDMONIA LEWIS!\n\nEdmonia Lewis (1844\u20131907) is hailed for her stunningly chiselled marble busts and figurative sculptures \u2013 with their elegantly coiled hair, elastic-like folds of drapery, idealised nudes with strong, robust builds. She was the first sculptor of African American heritage (of any gender) to achieve such fame and recognition. \n\nBuick is the author of a highly distinguished book Child of the Fire: Mary Edmonia Lewis and the Problem of Art History\u2019s Black and Indian Subject \u2013 about the sculptor acclaimed for her marble busts and figures that portray local people to mythical subjects, as well as deal with vital political narratives of the late 1800s. \n\nIn this episode we go into depth about Lewis's life and work \u2013 focussing on how Lewis reworked classical narratives from a distinctly female perspective. We also look at how she interpreted vital political narratives of the time in artworks such as Forever Free, 1867, referencing the Emancipation Proclamation of four years previously. Originally titled The Morning of Liberty, this smaller-than-life-size, yet weighty and mighty statuette immortalises an empowered, freed African American couple. Muscular and heroic, on the right we see a Herculean male figure breaking from his chains and raising a clenched fist. \n\nBuick\u2019s vital scholarship explores the material and visual culture of the first British Empire, the art of the US, African American art, landscape representation, women as patrons and collectors of art. She also focuses on pro- and anti-abolitionist images in the Atlantic world.\n\nIn 2022, Buick was named Distinguished Scholar by the College Art Association, and is currently working on a book \u2013 In Authenticity: Kara Walker and the Eidetics of Racism, about the artist renowned for her work that dismantles racist imagery through cut outs, and colossal sculptures, challenging the imperialist language that surrounds us.\n\nENJOY!!\n\n--\n\nTHIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION:\n\nhttps://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037\n\nENJOY!!!\n\nFollow us:\nKaty Hessel: @thegreatwomenartists / @katy.hessel\nSound editing by Nada Smiljanic\nMusic by Ben Wetherfield