Karon Davis
I am so excited to say that my guest on the GWA Podcast is one of the most groundbreaking artists working today, Karon Davis.\n\nHailed for her life-size sculptures, that she covers in white plaster dust and bases on her own or friend\u2019s bodies, Davis\u2019s works often take the form of installations, that very powerfully explore vital narratives of current and historical political events, as well as speak to the history of dance and performance. While they speak on a universal level, Davis especially looks to issues of history, race and violence in the US, memorialising key injustices witnessed by innocent victims from the 20th century, and beyond. By executing her figures in a stark shade of white, she also speaks to Western beauty ideals and standards that have been entrenched in our society since classical times. \n\nBrought up by a family of performers, Davis was exposed to the arts at a young age, the excitement of entertainment but also the reality of what people with these careers go through. And it\u2019s this insight that she gives us in her work \u2013 showing us both the pain and ecstasy to make something deemed beautiful, as her mother said, which was the title for her recent Salon 94 show: Beauty Must Suffer. \n\nAlthough a trained ballerina in her youth, Davis turned to filmmaking, studying at Spellman College, but her love of performance has stayed with her in her work. Entering an exhibition by Davis is like stepping into another world akin to watching a film or ballet playing out in front of you: there\u2019s narrative, costume, drama, a beginning and an end, but also beauty and pain. \n\nIn 2012 Davis, along with her late husband Noah, founded the Underground Museum in Los Angeles, a groundbreaking space that featured the work of Black artists. And, most recently, Davis\u2019 work has been featured at the Hammer Museum, Jeffrey Deitch, Salon 94, and is in the collection of MOCA Los Angeles, LACMA, The Hammer Museum, and the Brooklyn Museum, among others. For those in New York, she has just installed a major sculpture on the High Line, of a ballerina taking her final bow, in conjunction with her exhibition that looked at the process of ballet, as well as the passion and resilience integral to life as a dancer, and artist.\n\n--\n\nTHIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION:\n\nhttps://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037\n\nENJOY!!!\n\nFollow us:\nKaty Hessel: @thegreatwomenartists / @katy.hessel\nSound editing by Nada Smiljanic\nMusic by Ben Wetherfield