\xa0Tom Devlin is a key figure in the world of graphic novels. His career mimics the evolution of the genre. As founder of Highwater Books, a publishing house he set up in the early 2000s, he treated alternative comics audiences in North America to their first book-length exposure to future star cartoonist/authors John Porcellino, Marc Bell, Ron Rege Jr., Brian Ralph and others - many of whom subsequently joined him at Drawn and Quarterly, the Montreal-based publishing house founded by Chris Oliveros. Tom now works at D&Q as executive editor (and co-owner) alongside his wife, publisher Peggy Burns. His early work - its high production values, thoughtful design and 'bookshelf-ready' formats, plus experience earned as a comics retailer and distributor - presaged, one could say, an explosion in the popularity of graphic novels, one that was amply fueled by the impressive stuff he put out with various artists over the years at D&Q.\xa0
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I talk with Tom about his early love of comics, his work in comic book stores and his experiences publishing graphic novels;\xa0about his life with cartoonists and\xa0his work helping to build\xa0D&Q, plus\xa0the\xa0struggle experienced by\xa0the medium itself to be taken seriously. Drawn and Quarterly: Twenty Five Years of Contemporary Cartooning, Comics, and Graphic Novels serves as our guide.\xa0
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We met underneath the well-walked wooden floors of La Petite Librairie D+Q, the company's children's retail bookstore outlet in the Mile End district of Montreal.\xa0