b'Interview with Azad Nanakeli \\u2013 Padiglione Iraq \\u2013 54th International Art Exhibition, La Biennale di Venezia
These are extraordinary times for Iraq. The project to create an official country Pavilion for the 54th International Art Exhibition \\u2013 la Biennale di Venezia is a multiple and participatory work in progress since 2004. It is historically coming at a period of great renewal after more than 30 years of war and conflict in that country.
The Pavilion of Iraq is feature six internationally-known contemporary Iraqi artists who are emblematic in their individual experimental artistic research, a result of both living inside and outside their country. These artists, studying at the Fine Arts Academy in Baghdad, completed their arts studies in Europe and USA. They represent two generations: one, born in the early 1950\\u2019s, has experienced both the political instability and the cultural richness of that period in Iraq.
Ali Assaf, Azad Nanakeli and Walid Siti came of age in the 1970\\u2019s during the period of the creation of political socialism that marked their background. The second generation, to include Adel Abidin, Ahmed Alsoudani and Halim Al Karim, grew up during the drama of the Iran-Iraq war (1980-1988), the invasion of Kuwait, overwhelming UN economic sanctions and subsequent artistic isolation.'