Hit Parade: What a Fool Believes Edition
Like many media organizations at the moment, Slate is getting hit pretty hard by what's going on with the economy in the wake of the COVID-19 pandemic. We want to continue doing our work, providing you with all our great podcasts, news and reporting, and we simply cannot do that without your support. So we're asking you to sign up for Slate Plus, our membership program. It's just $35 for the first year, and it goes a long way to supporting us in this crucial moment.\nIn the late \u201970s and early \u201980s, a scene and a sound cropped up on the West Coast: polished, perfectionist studio musicians who generated sleek, jazzy, R&B-flavored music. About a quarter-century later, this sound was given a name: Yacht\xa0Rock. The inventors of the genre name weren\u2019t thinking about boats\u2026well, unless the song was Christopher Cross\u2019s \u201cSailing.\u201d Yacht Rock was meant to signify deluxe, yuppified, \u201csmooth\u201d music suitable for playing on luxury nautical craft.\nWhatever you call it, this music really did command the charts at the turn of the \u201980s: from Steely Dan to George Benson, Michael McDonald to Kenny Loggins, Toto to\u2026Michael Jackson?! Believe it: even Thriller is partially a Yacht Rock album. This month, Hit Parade breaks down what Yacht Rock was and how it took over the charts four decades ago\u2014from the perfectionism of \u201cPeg,\u201d to the bounce of \u201cWhat a Fool Believes,\u201d to the epic smoothness of \u201cAfrica.\u201d\nLearn more about your ad choices. Visit megaphone.fm/adchoices