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What would you get if you put the heaviness of Converge, the industrial sounds of Nine Inch Nails and Type O Negative, the catchiness of \\u201990s metalcore, the frantic delivery of Black Flag, and the sampled-chopped-and-glitched production of hip-hop into a blender and hit liquefy? You\\u2019d get 100 percent of your daily intake of Code Orange.

The band was formed\\u2014as the Code Orange Kids\\u2014in 2008 in Pittsburgh, Pennsylvania, by Eric \\u201cShade\\u201d Balderose (vocals, keys, programming, and guitars), Reba Meyers (guitars and bass), Jami Morgan (drums and vocals), and guitarist Greg Kern (who left in 2010). The current lineup also includes bassist Joe Goldman and guitarist Dominic Landolina.

They\\u2019ve always played heavy and fast, rising quickly in the hardcore ranks with 2012\\u2019s Love Is Love/Return to Dust and 2014\\u2019s I Am King, but things took a dramatic, dense turn in 2017. (The band shortened their name ahead of the 2014 release.) Their Grammy-nominated, critically-acclaimed third and fourth albums, 2017\\u2019s Forever and 2020\\u2019s Underneath, incorporated all hues of heavy\\u2014drawn from all corners of crunch. In a 2020 interview with PG, Meyers explained the progression:

\\u201cWe took as much of it into our own hands that we could\\u2014writing, recording, mixing, mastering\\u2014and it drove us crazy, but we knew if we really did this record how we imagined it, it could become something that we\\u2019re extremely proud of and is recognized by people beyond the niche world of hardcore that we come from. That was proven to us a little bit on Forever, because of the Grammy nod. We realized that if we really took what we do to the absolute fucking edge, we could make something important and bigger than ourselves. Especially bigger than our individual selves, because it\\u2019s a full-band effort.\\u201d

Creativity and performance are one thing, but how does a guitarist convey all the ideas in his or her head into a specific sound and where does that explorer mentality arise?

\\u201cWe didn\\u2019t have shit growing up. I would borrow people\\u2019s old Carvin amps that barely worked, and through that you\\u2019d learn what really mattered. The crap gear sometimes would produce cool sounds that you wouldn\\u2019t expect, and your ears grow and evolve,\\u201d recalls Meyers. \\u201cBottom line, what matters most is your hands, your creativity, and your performance. For that reason, I pick pedals that are loud and proud to speak in my language and Code Orange\\u2019s language.\\u201d

The afternoon before Code Orange\\u2019s middle slot for hip-hop duo $uicideboy$\\u2019s arena tour stop at Nashville\\u2019s Municipal Auditorium, Meyers pulled her gear aside and invited PG\\u2019s Chris Kies backstage to catalog her eviscerating setup. In this RR, she details her signature ESPs (and why they no longer have EMGs), shows how she breaks down the digital-versus-analog wall by pairing an Axe-Fx III with a 100W 5150, and chronicles the \\u201ctoys\\u201d she enlists to converse in the band\\u2019s dialect.

Brought to you by D\\u2019Addario XPND Pedalboard.