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In just seven years since meeting based on a recommendation, Eric Burton and Adrian Quesada formed the Black Pumas, released two albums, and have already been nominated for seven Grammys. However, this fruitful friendship was almost never developed.
Quesada was enrolled at the University of Texas but flunking out due to his dedication to guitar over textbooks. His parents gave him a proposition: Either stay home in Laredo, or return to Austin without a guitar in hand to focus on studying. He went with option B and headed back for school in Austin\u2014or so his parents thought. Quesada took his remaining book money (about $200) and headed to Ray Hennig\u2019s Heart of Texas, where he snagged a Squier Telecaster Thinline. His parents eventually figured out the switcheroo, but Quesada was determined and hasn\u2019t looked back. (Side note: The family obviously sees and supports his musical talents, and attended Black Pumas\u2019 Ryman show the night before the filming of this Rig Rundown.)
That matador move pulled off by Quesada allowed him to become a longtime fixture in the Austin music scene with bands Brownout, Ocote Soul Sound, Spanish Gold, Echocentrics, and Grupo Fantasma (with whom he played for over 15 years, earning a 2011 Grammy for Best Latin Rock or Alternative Album). He started to explore new ideas that didn\u2019t fit the mold for Grupo, and needed someone to narrate his musical vistas. A friend recommended he link up with Austin newcomer Eric Burton, who traded his busking spot on the Santa Monica pier for the bright lights of Sixth Street. The duo met up, and as the results prove, the rest is history.
Before the Black Pumas\u2019 second headlining show at the Ryman Auditorium in downtown Nashville, bandleader Adrian Quesada, bassist Brendan Bond, and band tech Bryan Wilkinson invited PG\u2019s Chris Kies into the hallowed grounds for a chill conversation about their tonal tools. During our time with the Black Pumas, we learned about Quesada\u2019s love for tremolo (he even included it as a secret weapon in a semi-hollow Jazzmaster), Bond\u2019s fateful trip to the Wilco Loft in Chicago, and why a \u201959 ES-125 is Wilkinson\u2019s perfect pairing with Burton\u2019s expressive and emotive voice.
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0:00 - D\u2019Addario XPND Pedalboard
0:15 - Chris Kies Intro
1:57 - Adrian Quesada Intro
3:15 - Touring with Vintage Gear
4:02 - Adrian Quesada\u2019s Fender Custom Shop Telecaster
6:13 - Playing with Fingers or Pick
8:03 - College or Guitar?
9:14 - Adrian Quesada\u2019s Strings
10:00 - Adrian Quesada\u2019s Gibson ES-345
11:53 - Playing ES-345 with DI Fuzz
13:11 - Adrian Quesada\u2019s Fender Custom Shop Jazzmaster Thinline
14:27 - Built-in Tremolo
17:33 - Adrian Quesada\u2019s Fender Limited Edition \u201968 Custom Deluxe Reverb
18:36 - Adrian Quesada\u2019s Pedalboard
30:05 - D\u2019Addario XPND & John Bohlinger
30:55 - Brendan Bond Intro
31:49 - Brendan Bond\u2019s 1974 Fender P Bass
36:15 - Brendan Bond Fingerstyle & Bass...