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It gives technicians fits, but composers and performers are always   experimenting with new \u201cwrong\u201d ways to play their instrument.

From  Bartok pizz to prepared piano, multiphonics to slap tongue,  many of  these techniques have made it into the standard repertoire.   What new  extended techniques are being pioneered today?

Hosted by Seth Boustead
\nProduced by Jesse McQuarters

Stephen Scott: Four Note Aria fr. Baltic Sketches
\nThe Bowed Piano Ensemble

George Crumb: Black Angels, III (excerpt)
\nKronos Quartet

Frances-Marie Uitti: Britsum 2 Bow Chorale
\nFrances-Marie Uitti, vc.

Junghae Lee: Sonorence (excerpt)
\nBarbara Lieurance, p.; Chelsea Czuchra, flutes; Nora Krahl, vc.

Helmut Lachenmann: Pression (excerpt)
\nWalter Grimmer, vc.

Eric Mandat: Sub(T)Rains O\u2019 Strata\u2019s Fears
\nRobert Spring, cl.

Meredith Monk: Dolmen Music (excerpt)
\nPaul Langland, voice; Julius Eastman, voice and percussion; Robert Een,  voice & vc.; Monica Solem, voice; Andrea Goodman, voice; Meredith  Monk, voice; Julius Eastman, voice

Dai Fujikura: Calling, for solo bassoon (excerpt)
\nRebekah Heller, bassoon