Whats Left Over
Chegados a meio do ano, F\xe1bio Vieira Fernandes e Filipe Marques fazem um apanhado de \xe1lbuns editados em 2024 sobre os quais ainda n\xe3o haviam botado discurso: \xabI'm Doing It Again Baby!\xbb, de Girl In Red; \xabWall Of Eyes\xbb, de The Smile; \xabThe Secret Of Us\xbb, de Gracie Abrams; \xabGoing Through It\xbb, de Eliza McLamb; \xabBrat\xbb, de Charli XCX; \xabThe Past Is Still Alive\xbb, de Hurray For The Riff Raff; \xabIn Lieu Of Flowers\xbb, de Aaron West And The Roaring Twenties; \xabC, XOXO\xbb, de Camila Cabello; \xabDopamine\xbb, de Normani; \xabBad Cameo\xbb, de James Blake e Lil Yachty; \xabOlder\xbb, de Lizzy McAlpine; \xabRadical Optimism (Extended)\xbb, de Dua Lipa; \xabUnderwater, Feels Like Eternity\xbb, de Monday; \xabSortaminha\xbb, de J\xfcra; e \xabChallengers (Original Score)\xbb, de Trent Reznor & Atticus Ross.