BROADCASTS.com

Stories often emerge from scribblings in notebooks. But we also find them tumbling out of pantries, rolled amid rumpled shirts in suitcases and spewing forth from text messages with friends. This week we feast on offerings from brilliant writers and one man who\u2019s spent 50 years honing his songwriting craft.

Mohsin Hamid\u2019s Mystical Exits \u20141:35

We knew author Mohsin Hamid\u2019s novel, \u201cExit West,\u201d was going to be a good read. His prior best-sellers create emotionally rich worlds that create pathways between global events and personal revelation. But when we realized \u201cExit West\u201d has been shortlisted for the Man Booker Prize, and chosen as this year\u2019s Multnomah County Library Everybody Reads selection, we went running for the bookstore. A graceful love story about two refugees traveling the world through magical portals, it unpacks some crushing realities of the global refugee crisis, without losing sight of the personal losses of his characters. We\u2019re listening this week to an excerpt of Think Out Loud\u2019s full interview with Hamid, recorded live at Literary Arts.
Call Him Lucky: Songwriter Chris Smither\u2019s Lessons From the Road \u201412:52

For 50 years, singer-songwriter Chris Smither has been honing his craft. Smither grew up in New Orleans, then moved between Paris, Mexico and the South, before eventually settling in New England. That wide map seems to give his songs a fluidity, but it\u2019s the southern influence that really gives his songs their depth and color. Smother was in Portland for a recent date at the Alberta Rose Theater. opbmusic caught up with him for a pre-show soundcheck and conversation with singer-songwriter Robin Bacior. Smither\u2019s new record is \u201cCall Me Lucky.\u201d

Process, Past, and Presents with Stacey Tran \u2014 20:22

Poet Stacey Tran has a vibrant writing process. In addition to getting verse down on paper, she also collages words, phrases, and fragments in ways that may or may not end when her poems go to publication. For her new poetry collection, \u201cSoap for the Dogs\u201d (Gramma Press), Tran committed to paper prose poems, fake haiku, as well as experimental forms. A student of language, fluent in English and Vietnamese, she delights in how we use words and how we change them. Tran tells us about some of the touchstones for her work.

Sitting Around A Tender Table \u2014 33:26

When Stacey Tran is not writing poems, she\u2019s making space for others to tell their stories. It\u2019s been a year since she first invited friends for a pot-luck style session of storytelling, with an emphasis on family, food and identity. Tender Table has become a hub for women, femmes, and gender non-binary people to find community. This week, Stacey invited two of her favorite storytellers from the series, Mercedes Orozco (former director of UNA Gallery) and Leslie Stevenson for a slightly-condensed (but very tasty) version.

World Premiere of \u201cManahatta\u201d at OSF \u2014 43:11

Oregon Shakespeare Festival is premiering a new play this spring by Mary Katherine Nagle \u2014 a playwright, a formidable lawyer, and a citizen of the Cherokee Nation of Oklahoma. It\u2019s the story of a securities trader dealing with her own indigenous history, while her family struggles to hold onto their home during the Great Recession. "Manahatta\u201d draws fascinating parallels between colonial American history and the financial crisis. Liam Moriarty of Jefferson Public Radio takes us behind the scenes in Ashland.
Portland Tropical Gardens, A Small Correction \u2014 49:34

A couple of weeks ago on the show, we misidentified some of the artists working on the Portland Tropical Gardens. Xi Jie Ng, Michael Stevenson Jr, Erika Dedini, and Shawn Creeden are graduates of different programs within Portland State University\u2019s School of Art and Design. Rachel Hines is a Senior Instructor in Art Practices at PSU. Also, Ralph Pugay is not teaching in the Art and Social Practice program; he is a visiting professor of Art Practice. OPB regrets the error.