Simone Menezes honors the Amazon rainforest on her new collaborative album
Simone Menezes, Camila Provenzale and Philharmonic Zurich \u2013 Amaz\xf4nia: Villa-Lobos - Glass (Alpha Classics)
controls
src="https://play.publicradio.org/unreplaced_ua/o/minnesota/classical/programs/new_classical_tracks/2023/10/11/new_classical_tracks_2024_10_11_new-classical-tracks-Simone_Menezes_20231011_128.mp3">
New Classical Tracks - Simone Menezes (radio edit)
by
\u201cI think it's very funny that people think I am creative,\u201d conductor Simone Menezes says. \u201cI just I feel like the ideas are in the air and I just take them.\u201d
Menezes is a Brazilian conductor who is known for her creative approach. With her new recording, Amaz\xf4nia, she says it was just \u201cso obvious\u201d that this project should focus on the Amazonian rainforest. Her goal was to make an important point with no speech, just music. In other words, it\u2019s art that goes straight to the heart.
The centerpiece of the recording is a suite by Heitor Villa-Lobos, Floresta do Amazonas. It\u2019s a work that Menezes believes should be part of the standard repertoire.
\u201cMy opinion is that this music has some very strong points,\u201d she says. \u201cThe first one: It's an epic. It sounds somehow like Carmina Burana. It has this large aspect and sounds like monumental music. The second, because of Villa-Lobos\u2019 lyricism, is very touching. Sometimes we think about Latin American music as happy music. But in this case, it's deep music and the melodies come from the influence of fado, which is a deep Portuguese song.\u201d
Why did you want to bring the rainforest to the forefront through this music?
\u201cFor me, the Amazonia is one of the biggest treasures of humanity. We should consider that we are in a beautiful garden that is this Earth, and we have our job as guardians of this garden. This project aims to make people see how touching and beautiful this place is.
\u201cAnd it's very funny that Villa-Lobos, when he wrote many pieces at the end of his life, he wrote, \u2018Maybe my music is our letters from the posterity.\u2019 And I think this is the case with this piece now.\u201d
As you are leading this piece of music with the orchestra, is there a part of it that you really enjoy?
\u201cThe most touching is the ending of the speech. It's called the \u2018Epilogue,\u2019 or the very last movement, because it sums up everything. And the melody is sung by soprano Camila Provenzale, but she did not sing with lyrics. It's just a kind of vocalese with the orchestra. I have conducted this piece maybe 11 or 12 times recently, and this was the first time that I saw musicians crying during the concert.\u201d
Listen on YouTube
To hear the rest of my conversation, click on the extended interview above, or\xa0download the extended podcast on iTunes\xa0or wherever you get your podcasts.
Resources
Simone Menezes, Camila Provenzale and Philharmonic Zurich \u2013 Amaz\xf4nia: Villa-Lobos - Glass (Amazon)
Simone Menezes, Camila Provenzale and Philharmonic Zurich \u2013 Amaz\xf4nia: Villa-Lobos - Glass (Alpha Classics)
Simone Menezes (official site)
Camila Provenzale (official site)
Philharmonic Zurich (official site)