Osmo V\xe4nsk\xe4/Minnesota Orchestra \u2013 Mahler: Symphony No. 9 (BIS)
In the past few months, Osmo V\xe4nsk\xe4 has conducted from a wheelchair, a stool and now, finally, standing up after suffering a bad fall and shattering his pelvis.\xa0There\u2019s a lot of metal keeping him going, he says, and that\u2019s another reason he\u2019s decided his motorcycling days are over.
\u201cI have decided to sell it, because I\u2019m now 70, and I\u2019ve had enough miles with the motorcycle,\u201d he says. \u201c\u2026 It will go to the Symphony Ball auction this June. I don't want to have anymore stupid risks in my life.\u201d
V\xe4nsk\xe4 has been a music director for almost 40 years.\xa0Nineteen of those years were with the Minnesota Orchestra. Recordings he made with the orchestra are still being released, and the latest features Gustav Mahler\u2019s Symphony No. 9.
What makes Mahler's Symphony No. 9 so powerful?\xa0
\u201c[The piece was composed] at the time when his daughter had died, and Mahler knew in his heart that there was something wrong.\xa0 He thought he was coming to the end of his life. And even though he wrote about the world and about life when he was younger, those pictures were different than when he was an older composer. Death is much closer to this music. It\u2019s a question about the whole life, the whole world, whatever those thing include.\u201d
Mahler was a conductor as well as a composer. Are you seeing something in the score that makes his intentions clearer because he\u2019s so well versed in both of those roles?
\u201cIt means for me that I have to take what he wrote very seriously. He's giving a lot of instructions in this score. Technically speaking, I don\u2019t need to add anything to the score. I just try to do what he wrote there, and in my experience, that is how it works. But then it comes to the point where technical things are not the final say in the music. The final say is what my heart and the hearts of the players are telling them when they are playing this.\u201d
Can you give me an example? Is there a spot in this performance with the Minnesota Orchestra, with you conducting, where you followed your heart? \xa0
\u201cFrom the first bar until the last bar. There is not one bar that is done without emotional feeling, not one bar that is done without the heartbeat and the understanding that comes from the music about life, about the world.\u201d
Mahler's prot\xe9g\xe9, Bruno Walter, conducted the premiere of this symphony over a year after Mahler died. Walter said that as he studied the score, he recognized the way that Mahler walked, his gait, in some of the limping rhythms of the first movement. And then, later, Leonard Bernstein said that it could have been Mahler's irregular heartbeat. What do you hear in that first movement?
\u201cI think both are right. And I believe that the reason why we like that music is because those details could be about our lives, too.\xa0I can easily say right now, after my accident, that I have much more understanding about people who cannot move, especially when I was in my wheelchair on the streets. It's difficult to go because the streets are not made for people who are using wheelchairs, those kind of things. And I also understand that I was very close to dying.\xa0
\u201cWe all have our dark moments, and we all have our hope, and then we are thankful and think, \u2018Wow, this is a new chance.\u2019 That is all coming from Mahler\u2019s music. He sent a message about his life.\u201d
To hear the rest of my conversation, click on the extended interview above, or\xa0download the extended podcast on iTunes\xa0or wherever you get your podcasts.
Osmo V\xe4nsk\xe4 and Minnesota Orchestra \u2014 Mahler: Symphony No. 9 (Amazon)
Osmo V\xe4nsk\xe4 (Minnesota Orchestra official site)
Minnesota Orchestra (official site)