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SUPPORT MUSIC IS NOT A GENRE ON PATREON\n\nWATCH MUSIC is not a GENRE VIDEOS and MORE\n\nRemember Roxette? Ace of Base? How about the Cardigans? Avicii? Robyn? Or maybe y\u2019know\u2026 freakin\u2019 ABBA?! What do they have in common? They\u2019re all from Sweden. So are Icona Pop, Eagle-Eye Cherry, Peter Bjorn & John, Swedish House Mafia, AND this week\u2019s spotlight band & my favorite Swedish export, the Hives.\n\nWe here in the USA don\u2019t usually make a point of exploring music from other countries. It has to come to us. Face it, we\u2019d remember the Beatles if at all as a minor British sensation if they hadn\u2019t broken major ground on our shores. It\u2019s how it\u2019s always been and still is to a large degree. Music listening is getting more multi-cultural, but by and large an artist has to break through to the US for anyone to know who they are.\n\nAmerica is built on winner-takes-all competition. You get paid well if you already make money. You succeed if you\u2019re already successful. And it's only occasionally merit based. We have a lot of great music, but it\u2019s not because this country actually supports the arts. Other than a handful of generous benefactors and non-profit organizations, if you\u2019re an artist in the USA odds are you're poor & struggling & will continue down that path for years.\n\nThat\u2019s not the case everywhere. No country is perfect. Poverty, racism & disease are everywhere. But it\u2019s a fact that some countries do some things way better than we do. We\u2019re so America-centric in all ways that we don\u2019t explore how other countries do what they do well. Like health care. Maternity & paternity leave. Respect & support for elders, children & teachers. ACTUAL support for veterans. AND support for the arts.\n\nSweden is known for supporting & promoting their artists. Not just benefactors or organizations. The freakin\u2019 Swedish government. If you\u2019re an artist deemed worthy, the government gives you the ability to live while you do your work. You don\u2019t have to hold down three jobs, or one massively exhausting day job, or live with your parents, or not be able to afford anything. You can live a sustainable life while you\u2019re developing your art & your career.\n\nI don\u2019t know all the particulars. I\u2019m sure there are caveats & pitfalls & discriminations. But it\u2019s starting from a place of believing that art & struggle don\u2019t have to be packaged together. That creating art is a profession as valuable & respectful as any other. We like to glamorize struggle because it makes us feel like martyrs for the cause AND because we want to believe there\u2019s a good reason for it. We\u2019re not martyrs. There\u2019s no good reason other than the same one that rules the rest of this country: the haves want to keep what they have & the have-nots can go suck it.\n\nThis is how we got the Hives. They started in the 1990s, released their debut album, Barely Legal, in 1997, and broke big internationally in 2000 with their second album, Veni Vidi Vicious. Which is how I discovered them \u2013 lumped together as part of the early 2000s garage rock revival. They\u2019ve kept it going ever since. They make music that sounds like completely unhinged punk, yet it all holds together. The Hives manage to capture their incredible live sound & spirit on recorded tracks better than almost any other punk rock band. They woke my ass up better than any American garage rock band & infused many of my subsequent songs with that same controlled punk energy. Including these two:\n\nREC \u2013 \u201cThree More Minutes\u201d\n\nREC \u2013 \u201cBeautiful Love\u201d\n\n\n--- \n\nThis episode is sponsored by \n\xb7 Anchor: The easiest way to make a podcast. https://anchor.fm/app\n\nSupport this podcast: https://anchor.fm/musicisnotagenre/support\nLearn more about your ad choices. Visit megaphone.fm/adchoices