Returning to the Met after an absence of 25 years, Giordano\u2019s opera Fedora is full of murder, political intrigue and many more melodramatic twists and turns. Perhaps best known for its famous tenor aria, \u201cAmor ti vieta,\u201d the opera is nonetheless a stage vehicle for the prima donna. On today\u2019s episode of the Metropolitan Opera Guild podcast, join the Guild\u2019s Director of Learning and Engagement, Stuart Holt, as he explores the drama and music of Fedora.