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In our second Moral Tale we find another jerk being mean to another woman, but this one has a bit more substance perhaps. It still doesn’t really work for us, but hey whatever. The Criterion releases for each Moral Tale just full of material and Suzanne’s Career also brings us an opportunity to watch and discuss Nadja in Paris (1964), a short clearly meant to encourage American high schoolers to study abroad. Star Nadja Tesich is a delight, and the film is the first collaboration between Rohmer and cinematographer Néstor Almendros who will bring a certain watchability to the rest of the Moral Tales.