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With The Phantom of Liberty (1974) we have now watched Bunuel's final three films, and there's a very good chance that is the not so distant future I'll find it hard to say which memorable scene belongs to which movie. Phantom is no Discreet Charm -- nothing could be -- but it still has some brilliance in it, though it's buried a bit more under some not so great ideas. We've seen other directs throw vignettes at the wall and hope they stick, and thankfully Phantom is more Slacker than Schizopolis, though I'd probably rather watch either of those over doing this again.