BROADCASTS.com

This piece is my old, trusted standby. I wrote it back in college, in the winter and spring of 1998, and since then it\u2019s been the one piece of my own that I\u2019ve continually kept in my hands and head, always at the ready when somebody says, \u201cPlay something you wrote, Paul!\u201d It still remains satisfying to me: the shape is simple, but interesting little puzzles keep emerging from within.

In all that time, however, only live audiences have had a chance to really experience the music \u2014 but just now, listening to the remastered version, I finally had the sense of \u201cYes, that\u2019s it, that\u2019s Three Places.\u201d It\u2019s not just that it finally sounds realistic; it\u2019s the first time the music of the piece has really come through in the recording, from the three-dimensional layers of the opening, to the warmth of the whispered final low note against the cold of the final high one.

People often ask if they are three specific places. They aren\u2019t. At the time, my mom was writing a lot about the \u201cidea of place,\u201d and I thought I\u2019d call these three little pieces musical places. So I have no explanation of what the piece \u201cmeans,\u201d but I will offer this: I often like to include a little quote at the end of my pieces, not an explanation, but an evocative image or idea to open the piece to exploration. This piece\u2019s epigraph is from the Mahabharata (William Buck\u2019s translation):

As Lord Brahma sleeps, he hears something lost mentioned in his dream of life, and he remembers and it appears again among us as it was long ago.

\nPaul Cantrell\n
\nThree Places\n
\nPaul Cantrell,\npiano\n
\n\u266b\nDownload\n(5:09 / 6.4 M)\n

Compare this to the old mastering process, or to a different recording made in a concert hall. Whoa! Here\u2019s the score.