Quintessential Verdi
Synopsis
On today\u2019s date in 1853, Giuseppe Verdi\u2019s opera Il Trovatore (or The Troubador) had its premiere performance at the Teatro Apollo in Rome.
It proved an immediate hit. True, some did complain at the time about its gloomy, complicated and downright confusing plot. But Verdi\u2019s music setting had such great tunes and such energetic verve that Il Trovatore quickly became the most popular of all his operas in the 19th century.
Its tunes were soon heard emanating from street corner barrel-organs, and, as a true sign of popularity, there were even comic parodies of its melodramatic blood and thunder storyline.
Reviewing a New York production in 1862, American composer and music critic William Fry had these observations: \u201cIl Trovatore has a wonderful plot, beyond human comprehension. ... As to the music, there are some charming, popular, ingenious, artistic, great points; then, there are some others egregiously vulgar and rowdy. The \u2018Anvil Chorus,\u2019 for example, is about equal to a scene of mending a sewer set to music.\u201d
And as for parodies, in the 1935 film A Night at the Opera, Il Trovatore \u2014 and opera, in general \u2014 receives a devastating sendup at the hands of the Marx Brothers.
Music Played in Today's Program
Giuseppe Verdi (1813-1902) [arr. Franz Liszt] Miserere, fr Il Trovatore; Daniel Barenboim, piano Erato 75457; and Anvil Chorus, fr Il Trovatore; Chicago Symphony and Chorus; Georg Solti, cond. London 466 075