Hindemith's 'Kammermusik' No. 4
Synopsis
In the 1920s, German composer Paul Hindemith wrote a set of seven concertos, which he collectively titled Kammermusik or Chamber Music. This generic title was part of Hindemith\u2019s goal to foster a more \u201cobjective\u201d musical style, modeled on 18th century composers like J.S. Bach.
Hindemith\u2019s Kammermusik No. 4, a work for solo violin and chamber orchestra, had its first performance in Dessau on today\u2019s date in 1925. The soloist was Licco Amar, the first violinist of the Amar String Quartet, an ensemble in which Hindemith played viola.
Hindemith\u2019s father had been killed in World War I, and Hindemith himself had been called up, but avoided being sent to the front by forming a string quartet that played nightly to ease the nerves of his commanding officer. Then during the World War II, despite being considered a so-called \u201cAryan\u201d composer, Hindemith fell out of favor with the Nazi regime and eventually emigrated to America, where he became a very influential teacher.
To address the role of music in society, Hindemith suggested composers should revive the idea of writing works amateur musicians could play at home with family and friends.
\u201cPeople who make music together cannot be enemies,\u201d he observed, \u201cat least while the music lasts.\u201d
Music Played in Today's Program
Paul Hindemith (1895-1963): Kammermusik No. 4; Konstanty Kulka, violin; Concertgebouw Orchestra; Riccardo Chailly, conductor; London 433 816