Brahms and the clarinet

Published: Sept. 19, 2024, 5 a.m.

Synopsis

During his later years, German composer Johannes Brahms was a frequent visitor to the town of Meiningen, where the Grand Duke had a fine orchestra that gave stellar performances of Brahms\u2019 music.


Early in 1891, Brahms heard one member of that orchestra, the clarinetist Richard M\xfclhfeld, perform chamber works by Mozart and Weber. Brahms was so impressed that they became fast friends. Listening to M\xfclhfeld play, Brahms became so enthusiastic about the clarinet\u2019s possibilities that he began writing chamber works for his new friend. Brahms was always particularly fond of the female alto voice whose timbre is similar to that of the clarinet, so Brahms promptly nicknamed M\xfclhfeld \u201cFraeulein Clarinet\u201d and the \u201cnew prima donna.\u201d


For M\xfclhfeld, Brahms wrote a clarinet trio, which was followed by a clarinet quintet, and finally, a pair of clarinet sonatas, both composed in the summer of 1894.


These two sonatas were first played by M\xfclhfeld with Brahms at a private performance in the home of the sister of the Duke of Meiningen on today\u2019s date that year. In November, the pair also gave private performances in Frankfurt for Clara Schumann and at Castle Altenstein for the Duke of Meiningen. The first public performances occurred in Vienna in January of 1895.


Music Played in Today's Program

Johannes Brahms (1833-1897): Clarinet Sonata No. 2; Michael Collins, clarinet; Mikhail Pletnev, piano; Virgin 91076