Interview with Dead Tired
We had the pleasure of interviewing Franz Stefanik of Dead Tired over Zoom video.
Dead Tired\u2019s unrelenting musical onslaught is best defined by way of contrasts and contradictions, existing in the ether between opposing forces and foiling ideas.
Look no further than the Hamilton-based hardcore outfit\u2019s latest LP, Satan Will Follow You Home \u2013 a crushing 10-track collection that\u2019s both beautifully orchestrated and cathartically chaotic. Its elevated production quality embraces ears like a warm hug, only to hit like a string of haymakers straight to the chest; infecting eardrums to heal souls and ... you get the idea.
The record makes an impactful statement considering Dead Tired was born as a fun, informal project for guys with more formal ones on the go \u2013 from arena-touring rock bands to thriving recording studios, tattoo parlors, and other endeavors. Case in point, it\u2019s their first release with a designated title, and offers a more cohesive and compelling take on the breakneck aural anarchy they\u2019ve served up since uniting in 2014.
Satan Will Follow You Home spans a more expansive sonic spectrum than anything we\u2019ve heard from the quintet, comprised of Stefanik, fellow guitarist Marco Bressette, bassist Nick Ball, vocalist George Pettit, and new drummer Theo McKibbon.
That\u2019s not to say they\u2019ve strayed from the chaotic and combustible energy of their earlier work; instead, they\u2019ve distilled it, made it exponentially more potent, and used it as an anchor to go off and explore increasingly ambitious styles and sounds. Atop a solid foundation inspired by early Converge and Cave-In, Kyuss, and Dead Kennedys, we get everything from sickly saxophone licks to stacked vocal harmonies.
Needless to say, they\u2019re keen for their return to any stage that\u2019ll have them, from major international festivals to the crammed clubs that first confirmed they were onto something special back in 2014.
A group of well-seasoned scene veterans dropping a career-defining record, reinvigorated with the vivacity of a new band? Yet another example of Dead Tired thriving in a place between opposites, adhering to no set agenda or rules outside of their own.
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