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Post New York Alliance Podcast
The Post New York Alliance supports and promotes the Post Production community in New York. This podcast is the collection of talks, seminars and events from the PNYA calendar. PostNewYork.org @PostNYThe Hackers Agenda: Security Risks In Post Production
Published: March 16, 2022, 3:02 p.m.Duration: N/A
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What She Said: Women Leaders in Post Production and How They Rose Above the Rest
Published: March 16, 2022, 3:02 p.m.Duration: N/A
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FXF008.7: THE SOUND ONE ERA, 1968-2012 -- 7: THE END/ REBIRTH
Published: March 16, 2022, 2:57 p.m.Duration: N/A
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FXF008.6: THE SOUND ONE ERA, 1968-2012 -- 6: LEADING THE DIGITAL REVOLUTION
Published: March 16, 2022, 2:57 p.m.Duration: N/A
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FXF008.5: The Sound One Era, 1968-2012 -- 5: The Foley Artist
Published: March 16, 2022, 2:56 p.m.Duration: N/A
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FXF008.3: THE SOUND ONE ERA, 1968-2012 -- 3: TRIBUTE TO BILL NISSELSON AND SYBIL BROWN
Published: March 16, 2022, 2:54 p.m.Duration: N/A
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FXF008.4: The Sound One Era 1968-2012 -- 4. A Day In the Hallways
Published: March 16, 2022, 2:54 p.m.Duration: N/A
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FXF008.2: THE SOUND ONE ERA, 1968-2012 -- 2: FAMILY
Published: March 16, 2022, 2:53 p.m.Duration: N/A
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FXF008.1: THE SOUND ONE ERA, 1968-2012 -- 1: THE BEGINNING
Published: March 16, 2022, 2:53 p.m.Duration: N/A
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FXF007: Sidney Lumet's NETWORK- Alan Heim, Mark Laub, Michael Jacobi and Jeffrey Wolf.
Published: March 16, 2022, 2:52 p.m.Duration: N/A
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FXF006: Films of Jim Jarmusch- Jay Rabinowitz, Chic Ciccolini, Dominick Tavella
Published: March 16, 2022, 2:51 p.m.Duration: N/A
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FXF005: Angelo Corrao and Alex Halpern
Published: March 16, 2022, 2:50 p.m.Duration: N/A
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FXF004: Maurice Schell, Peter Frank, Lee Dichter
Published: March 16, 2022, 2:49 p.m.Duration: N/A
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FXF003: The Ice Storm, Life Of PI- Tim Squyres and Phil Stockton
Published: March 16, 2022, 2:48 p.m.Duration: N/A
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FXF002- Vinyl, Boardwalk Empire- Kate Sanford and Tim Streeto
Published: March 16, 2022, 2:47 p.m.Duration: N/A
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FxF001- Reds- Craig McKay and Tom Fleischmann.
Published: March 16, 2022, 2:46 p.m.Duration: N/A
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The Academy Aces Pipeline Primer: Post And Vfx
Published: March 16, 2022, 2:42 p.m.Duration: N/A
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Transitioning from Documentary to Drama
Published: March 16, 2022, 2:42 p.m.Duration: N/A
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CREATIVEFUTURE: The Value Of Creativity
Published: March 16, 2022, 2:36 p.m.Duration: N/A
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The Assistant Editor and the Digital Image Technician
Published: March 16, 2022, 2:34 p.m.Duration: N/A
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Post Break 24 - Remote Workflows, New Horizons
Published: Dec. 11, 2020, 6:18 p.m.Duration: N/A
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Post Break 23 - VFX for Post Supervisors
Published: Dec. 7, 2020, 3:49 p.m.Duration: N/A
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Post Break 22 - Lessons Learned When COVID Hit
Published: Nov. 9, 2020, 3:40 p.m.Duration: N/A
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Post Break 21 - Building Mental Resilience in the Age of COVID
Published: Nov. 9, 2020, 3:36 p.m.Duration: N/A
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Post Break 20 - The Future of Post Production
Published: Oct. 30, 2020, 4:29 p.m.Duration: N/A
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Post Break 19 - A Conversation about Color Finishing: Demystifying the Use of Rec 709
Published: Oct. 16, 2020, 3:39 p.m.Duration: N/A
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Post Break 18 - The Business of Animation: Past, Present, and Future
Published: Oct. 16, 2020, 3:39 p.m.Duration: N/A
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Post Break 17 - Interrupting Our Regularly Scheduled Program: Expanding The Community
Published: Oct. 16, 2020, 3:38 p.m.Duration: N/A
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Post Break 16: Making Moves - How to get Promoted in Post
Published: Sept. 3, 2020, 7:09 p.m.Duration: N/A
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Post Break 15 - Facilities Reopening
Published: Sept. 3, 2020, 7:07 p.m.Duration: N/A
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Post Break 12 - VFX Solutions to Covid Problems: Part II
Published: Aug. 3, 2020, 3:39 p.m.Duration: N/A
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Post Break 11 - VFX Solutions to Covid Problems: Part I
Published: July 15, 2020, 6:49 p.m.Duration: N/A
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Post Break 10 - Fix It in Post: Re-imagining an Inclusive Workplace
Published: July 2, 2020, 8:49 p.m.Duration: N/A \\n\\n
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Post Break 9 - The Hidden World of Sound Mixing
Published: June 25, 2020, noonDuration: N/A \\n \\n
POST BREAK- The People Behind the Board: Revealing the Hidden World of Sound Mixing
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\\n For the 9th in our PNYA POST BREAK series - this week we jump into the world of Sound Mixing with a lineup of award winning panelists to give us an overview of this hidden and mysterious art form. Each from a different background and entry point, the conversation will cover the pathways and challenges of getting into the field, navigating the current remote process, and thoughts on creating opportunities to foster a more diverse talent pool.\\n \\n
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POST BREAK- The People Behind the Board: Revealing the Hidden World of Sound Mixing\\n \\n
\\nThursday, June 18th at 4pm on Zoom\\n \\n \\n
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PANELISTS:
\\n Andy\\n Kris, Re-Recording Mixer, Supervising Sound Editor
\\n 
\\n \\n \\n
Andy has been working in the New York sound community for the better part of 25 years. He made the move to NY right after college where he found an internship at Good Machine, and a front row seat to the independent film explosion of the 90s. That led to the post production facility, Spin Cycle Post, where he was able to be a part of the digital post production revolution which kickstarted his career in sound post. He is forever grateful to have worked with many of the legends in the industry at a multitude of NY facilities, including: C5, Good Edit, Gun for Hire, Goldcrest Post, Sound One, Postworks, Sixteen19, Harbor Sound, and Warner Brothers NY. Recently, Andy has been navigating his greatest technological challenge, mixing and delivering television shows at the kitchen table with a laptop and headphones while trying to share internet bandwidth with his kids\\u2019 school Zoom classes.
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\\n Glenfield Payne, Sound Supervisor/Mixer
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Glenfield has been working in Post Production sound since 1992. He\\u2019s been lucky to work with such amazing directors as The Coen Brothers, Spike Lee, Jim Jarmusch, Lodge Kerrigan, Amy Seimetz and Cary Fukunaga to name a few. While he mainly works on feature films he has done quite a bit of television these past few years. He also really loves when he gets the opportunity to work on documentaries. He has branched out from an FX editor, to a supervising sound editor and re-recording mixer. He still feels that it\\u2019s better than working for a living.
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\\n Chris Chae, Sound Supervisor/Mixer
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Grew up in Queens - attended Ithaca College and graduated from their Television Radio - Audio Production program. I always was determined on becoming a mixer - originally thought I would go into the music industry - but I got involved in post sound and discovered what a re-recording mixer was and it all clicked - hence turning my focus towards becoming a re-recording mixer. I had started off in NY as an intern at Soundtrack - due to some great luck of opportunities and support from the senior editors and mixers - I had become one of the editors and mixers on staff and remained there for several years and recently made the transition to freelance. Recent projects I\\u2019ve mixed are Country Music by Ken Burns - Never Too Late (Dir. Michael Lembeck). Currently I\\u2019m supervising and mixing - a film by Billy Crystal called Here Today and been working with Ken Burns\\u2019 UNUM team on their shorts for the web.\\n \\n
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\\nJulienne Guffain, Sound Designer/Mixer
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With over a decade of experience, Virginia native Julienne Guffain has worked in every capacity of Audio post production, from Foley to Sound Design, Stereo to ATMOS and across a wide range of film, commercial and branded projects. Her passion for Audio comes from the nuanced ability to breath life into the flat image. Having worked at boutique shops like Hobo Audio, to leading the sound department at Crew Cuts, Julienne is now a part of the award winning Sonic Union team. She\'s worked with top clients such as Urban Decay, NBA, and Cadillac.
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\\n MODERATOR:\\n
\\n Brian Bowles, Dialogue & ADR Supervision
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Brian Bowles has collaborated with Bill Condon, the Safdie Brothers, Jim Jarmusch, and most recently Jon Chu on In The Heights. As a Dialogue and ADR Supervisor, he has worked closely with directors and actors on a wide range of films from Beauty and The Beast, The Greatest Showman, Mid90s, Three Billboards Outside Ebbing, Missouri, and Only Lovers Left Alive. Episodic series like Fosse/Verdon and High Maintenance. As well as documentaries for Errol Morris and The Museum of Natural History.
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The Post New York Alliance Education Committee
\\n postnyalliance.slack.com\\n
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Post Break 8 - Crafty Apes in Space: Breaking Down the VFX on Netflix's Space Force
Published: June 19, 2020, 8:27 p.m.Duration: N/A \\n \\n
Post Break: Crafty Apes in Space - Breaking Down the VFX on Netflix\'s \'Space Force\'
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\\n For the 8th in our PNYA POST BREAK series - this week we speak with visual effects studio Crafty Apes about the work they did on Netflix\'s new hit show, \'Space Force.\' They will give a breakdown on the most challenging shots, discuss how they collaborated with the filmmakers on the show, and talk about the differences between working on a streaming show vs cable or film, the visual effects process and more. \\n \\n \\n
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\\nPOST BREAK: Crafty Apes in Space - Breaking Down the VFX on Netflix\'s \'Space Force\'\\n \\n
\\nThursday, June 11th at 4pm on Zoom\\n \\n \\n
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\\nCheck out the TRAILER for \'Space Force\'\\n \\n \\n
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PANELISTS:\\n \\n \\n
\\nJason Sanford, VFX Producer/Crafty Apes Co-Founder
\\n 
\\n Sanford, a Santa Barbara native, grew up playing competitive tennis, but it didn\\u2019t take long for his dreams to beckon, and Jason headed to UCLA to study theatre. Soon after, his love of the theatrical took him to The American Conservatory Theatre in San Francisco, where he pursued further study in acting and writing. While there, he met mentor Anna Deavere Smith, who continues to inspire him to expand his knowledge of his craft, and to always think outside of the box. He would later go on to help found Crafty Apes, with credits as a VFX producer on films including Ant-Man and the Wasp, John Wick 2, and La La Land.
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\\n Brandon Nelson, VFX Supervisor, Crafty Apes
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\\n Brandon Nelson hails from the sticky, gator-ridden lands of the Southeast and grew up on a steady diet of 80s movies from his father\\u2019s masking-tape-labeled VHS film library. That early understanding of the importance of the visual arts led him to eventually pursue a higher education in the field at Savannah College of Art and Design, taking every class and obtaining every degree offered in visual effects and animation.
\\n Today Brandon is an accomplished artist and supervisor; an alumnus of Rhythm and Hues and Method Studios. He cites the movie Hackers and the pink and teal Solo Jazz pattern as chief amongst his artistic influences. His list of credits include Fast & Furious, Life of Pi, Captain America: Civil War, Avengers: Infinity War, and too many talking animal movies to name.\\n \\n
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\\nJabber Raisani, Consulting VFX Supervisor for Netflix
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\\n Jabbar Raisani began his film career at the age of 17 working at a Visual Effects studio in San Antonio. In 2004 he moved to LA to work at Stan Winston Studio where he was the CG Supervisor on projects including Iron Man and Fantastic 4. He then teamed up with Robert Rodriguez as the on-set VFX Supervisor on Machete and Predators. Following that, he supervised the digital modeling of Superman\'s live-action suit for Zack Snyder\'s Man Of Steel. In 2013 he won his first Emmy for VFX Supervision on Game of Thrones. The following year, IFC released his directorial debut Alien Outpost, which he also co-wrote. After Outpost, Jabbar received another VFX Emmy for Game of Thrones and was nominated for Lost in Space. His 2nd unit directing credits include WB\'s The Flash, HBO\'s Pilot The Devil You Know, and Game of Thrones. Most recently Jabbar directed Episode 208 of Lost in Space for Legendary/ Netflix.
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\\n Patrick Sullivan, CG Lead, Crafty Apes\\n \\n
\\n Los Angeles resident with a Boston accent. He has been in visual effects for about 10 years. When he is not making things blow up on screen or making magic, you will find him high up in the mountains.
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\\n MODERATOR:
\\n Jennifer Lane,\\n Post Production Supervisor/Associate Producer
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Jennifer Lane has worked on over 30 features. As a freelance post supervisor, she has worked for Warner Brothers, Dreamworks Studios, The Walt Disney Company, Universal Pictures, and Focus Features among other studios. Some of her recent feature credits as an Associate Producer are include Disney\\u2019s musical Mary Poppins Returns (Rob Marshall) and Gemini Man (Ang Lee) for Skydance Media. She is currently Associate Producing a Netflix original series Dash & Lily.
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The Post New York Alliance Education Committee
\\n postnyalliance.slack.com\\n
\\n \\n \\n Let us know what content you would like to discuss for a future Post Break by posting in #members_events in the PNYA Workspace.
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Post Break 7 - Ask Us Anything: New York State Tax Credits
Published: June 10, 2020, 1:54 p.m.Duration: N/A
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Post Break 6 - Creative Collaboration in a Virtual World
Published: June 1, 2020, 4:27 p.m.Duration: N/A \\n\\n\\n\\n
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Post Break 5 - A Conversation with NY Post Supervisors
Published: May 27, 2020, 12:43 p.m.Duration: N/A
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Post Break 4 - How Will Post Return? - Facilities and Beyond
Published: May 21, 2020, 12:29 a.m.Duration: N/A
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Post Break 3 - A Conversation with NY Editors
Published: May 15, 2020, 9:53 p.m.Duration: N/A
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Post Break 1 - How is NY Posting Now?
Published: May 11, 2020, 5:38 p.m.Duration: N/A
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NYL'15: Blockbuster Post on an Indy Budget
Published: Oct. 17, 2016, 3:20 p.m.Duration: N/A
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NYL'15: Moneyball Production Accounting
Published: Oct. 17, 2016, 3:16 p.m.Duration: N/A
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